Drawing procedures of direct painting

Drawing technique of direct painting and classical painting within the system also has the quite big difference. Direct painting need to come towards the point which could quickly reflect the black, white and gray layout and also the general color impact, and then on this basis make steadily in-depth. Direct painting won't leave the following actions:

A single, draft Use charcoal to outline the object inside the canvas and appropriately take care of the rough sketch. Some artists directly use with cooked brown using a small cool colour, or ultramarine by turpentine diluted directly onto the canvas to complete this procedure. Simply because Brown is an intermediate color, so it really is simple to coordinate with any other colour. Colors like ultramarine (some artists also use green, dark red and brown) will leave some residual broken lines following the completion of performs and show a particular colour effect.


Two, enlarge the tone A relaxed and fuel dilution approximation and also the object color fast relaxation on the painting paints a total sense of color. Note: the tone should be a little stronger than the final contrast. Within this step, colour must not be drawn as well thick. The whole tone need to be taken a bit ahead from the volume and painted a bit brighter. With all the constant depiction, a variety of grey come really naturally to bring the "fire" hue relations to become just best.

3, deep depiction After the slightly volatile in the turpentine, use thick pigment progressively on the screen for further characterizations. If attainable, attempt to prolong the operation time as a lot as you possibly can. This ought to be effectively planned and step by step to complete. As an example, if face is drew nowadays, then other areas should not move; if hand is painted tomorrow, other areas apart from hand only keep the background color painted in enlarging the tone. Thick colors in areas uncompleted inside a single day must be scraped by painting knife. Until they may be generally dry, painting may be continued to avoid the absorption of oil. Oil painting should be paid consideration to the thick light colour, but the dark typically shall be painted thin.

4, the overall adjustment have rich specifics after several completions. Some details might happen to be beyond the predetermined needs. Removing unnecessary particulars, adjust the general relationship to create the complete screen with actual situation and a more prominent primary portion.

Together with the rise of contemporary industrial civilization, painting components of Western painting have already been entirely out of handmade stage. Especially in the past ten or twenty years on account of the rapid improvement of modern technologies, the new painting materials of numerous properties are continually emerging and several oil painting supplies are unheard of ahead of. All types of drying oil, quick-drying paint and water paint could make all kinds of thick, thin, coarse, fine and distinct base materials with rapid drying and robust toughness. A variety of new materials has greatly enriched the expression of oil painting language as well as the painters can have no restrictions of any kind in the creation, only to consider the way to achieve the top visual effect.

The rise and prosperity of modern day art supply far more new reference for individuals inside the aesthetic and artistic activities. The use of synthetic materials, except the oil paint nearly covering and containing every thing material to make works of art, has been accepted by the majority of artists, and turn out to be a kind of natural selection. Sand, wood, cloth, paint, asphalt and prints can grow to be the painting components (which includes oil painting supplies). This tends to make the strict painting largely have lost and losing the "hegemony" status in painting field. This is not only a crisis, but additionally a challenge towards the stage of development, which is a new starting point.

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